Post by account_disabled on Feb 25, 2024 0:32:51 GMT -6
Jean Cocteau claimed that Victor Hugo was a madman who truly believed he was Victor Hugo. Will Smith, at the Oscar Gala, was able to convince himself that he was made up of the fleshiness with few meninges of the urban heroes he plays. Isn't that what is rewarded? Let's say that there is a very satisfactory goal to be credible in the roles that consolidate patriarchal, sexist, violent, intolerant cinematographic and private archetypes... However, in these galas a twisted rhetoric of equidistance with the values that oozes from celluloid is exercised. Maybe because business and social control lies in that. The sequence that gave rise to Smith's aggression is of obvious hominid simplicity: the “silverback” violently protects the female from him. With the pandemic, the exponential rise in energy prices, Russia's invasion of Ukraine, the nuclear danger, postmodern rogue capitalism, the awarding of the Oscars perhaps could not be any other way, the world is experiencing what the Marxists called , and for this reason today discredited although it is very true, a historical acceleration with complex and lethal vertigo. Another ghostly slap, some say it never happened, wanted to save the macho honor of the Spain of the caudillo.
Happened with the arrival of the Mexican actor and singer Jorge Negrete. His journey from the station to the hotel was spectacular, as he was assaulted by several women who wanted to strip him of his clothes in a passionate expression of his desires or his erotic fantasies. This fanatical fury was repeated during his days in the Spanish capital to the point that on another occasion, in the Chinese Thailand Phone Number List Florida Park party room, also in Madrid, in response to another woman's complaint he exclaimed the famous phrase "Is it that in "There are no men in Spain?", to which it seems that was answered by Miguel Primo de Rivera, provost of the regime, with a slap, it is not known if it was replicated by the Mexican. It is curious how machismo is defended with slaps even in different scenarios and misunderstandings. They are, deep down, times degraded by excesses, which in themselves are socially toxic regardless of the moral or amoral materials that constitute them.
Will Smith went on stage not to collect an award, but holding a rifle to play those roles that suit him so well as the last patriotic hero in a world in decay because people are not like him . When Joaquín Romero Murube, poet and director-conservator of the Alcázar of Seville, received Filippo Tommaso Marinetti in Seville, the architect of the futurist movement, the metaphysical germ of fascism , he was surprised by the proposals of the Italian whose worldview of a new world was summarized in an original and daring aesthetic understanding: “a roaring automobile, which seems to run like shrapnel, is more beautiful than the Victory of Samothrace .” Marinetti proposed, among other no less jocund things, burning all the gondolas and “filling the stinking little canals” of Venice “with the ruins of the crumbling and leprous palaces” or converting the squares of Florence into parking lots is a serious disorder that violence ends up being ideological material or, worse still, a current of moral cause.
Happened with the arrival of the Mexican actor and singer Jorge Negrete. His journey from the station to the hotel was spectacular, as he was assaulted by several women who wanted to strip him of his clothes in a passionate expression of his desires or his erotic fantasies. This fanatical fury was repeated during his days in the Spanish capital to the point that on another occasion, in the Chinese Thailand Phone Number List Florida Park party room, also in Madrid, in response to another woman's complaint he exclaimed the famous phrase "Is it that in "There are no men in Spain?", to which it seems that was answered by Miguel Primo de Rivera, provost of the regime, with a slap, it is not known if it was replicated by the Mexican. It is curious how machismo is defended with slaps even in different scenarios and misunderstandings. They are, deep down, times degraded by excesses, which in themselves are socially toxic regardless of the moral or amoral materials that constitute them.
Will Smith went on stage not to collect an award, but holding a rifle to play those roles that suit him so well as the last patriotic hero in a world in decay because people are not like him . When Joaquín Romero Murube, poet and director-conservator of the Alcázar of Seville, received Filippo Tommaso Marinetti in Seville, the architect of the futurist movement, the metaphysical germ of fascism , he was surprised by the proposals of the Italian whose worldview of a new world was summarized in an original and daring aesthetic understanding: “a roaring automobile, which seems to run like shrapnel, is more beautiful than the Victory of Samothrace .” Marinetti proposed, among other no less jocund things, burning all the gondolas and “filling the stinking little canals” of Venice “with the ruins of the crumbling and leprous palaces” or converting the squares of Florence into parking lots is a serious disorder that violence ends up being ideological material or, worse still, a current of moral cause.